In the series, the bodies do not refer to specific subjectivities, but to a state of mere similarity with the human, which is established at the limits of the dead body for a sensitive investigation of its motor structure.
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This series is based on my embodied feelings of these two words. I painted the movements that felt right in my body; the first pose in each panel is the "stuck" pose; the second is a way of moving that is more playful, open, and savoring.
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My piece depicts the statue of Venus, goddess of beauty. The distorted colors and unrefined line work disrupt the formality of a museum setting.
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The reason for the absence of the figure/features/faces in this series is to symbolise and illustrate the exclusion of women in the history of art and their absence in some texts even today.
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The female figures in my paintings explore the concept of “Shelter” whether that is a physical space or an emotional place in our heads - in relation to the current enervating climate of the world.
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My paintings are a study of my identity and emotions. I was always told, in a negative way, that women are too emotional, too intense. Therefore, I used terms that had an impact on my life to create something meaningful to me.
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